Learning to Predict Performance-induced Emotion Differences in Classical Piano Music
Music is often used as a medium for communicating emotion, with performers shaping perceived affect through interpretation. This study addresses the challenge of identifying and predicting subtle changes in perceived emotion that are exclusively due to differences in performance. We focus on classical solo piano music, using a set of 6 commercial recordings of Bach's Well-Tempered Clavier Book I, annotated in terms of valence and arousal. By encoding the recordings through performance-specific features only, we isolate performance information from aspects of the composition itself, which tend to dominate the overall perceived emotional category. A preliminary analysis validates that these...
| Authors | Joann Ching, Gerhard Widmer |
|---|---|
| Primary category | cs.SD |
| Published | 30 July 2026 |
| Last updated at source | 30 July 2026 |
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